I feel so blessed to have made it this far in life to have just now seen my first fedora in public


From the LOtUSFLOW3R commercial, circa ‘09

From the LOtUSFLOW3R commercial, circa ‘09

From the LOtUSFLOW3R commercial, circa ‘09

From the LOtUSFLOW3R commercial, circa ‘09

(via blackrockandrollmusic)

“They give you little bullshit amounts of money in exchange for your working – wages and so forth – and then they steal all that shit back from you in terms of the way they got this other thing set up – his whole credit gimmick society man, consumer credit, buy shit buy shit on credit, he give you a little bit of shit to cool your ass out and then steal all that shit back with shit called interest – the price of money. Motherfuckers in non-producing, non-existent industries ya know motherfuckers who deal with paper. There’s a cat who would stand up and say to you he’s “in mining”, and he sits in an office man on the hundred and ninety ninth floor in some motherfucking building on Wall Street, and he’s “in mining” and he has paper, certificates, which are embroidered and shit you know, stocks, bonds, debentures, obligations, you know, “he’s in mining”, and he’s sitting up in Wall Street and his fingernails ain’t been dirty in his motherfucking life; he went to Phillips Andover or Exeter, he went to Harvard, he went to Yale, he went to the Wharton School of Business, and “he’s in mining”?

The motherfuckers who deal with intangibles are the motherfuckers who are rewarded in this society. The more abstract and intangible your shit is, come on stocks? What is stock? Stock certificates is evidence of ownership in something that’s real. Ownership. He owns and controls and therefore receives you know the benefit from, that’s what they call profit. He’s fucking with shit in Bolivia, he’s fucking with shit in Chile, he’s Anaconda, he’s United Fruit, he’s “in mining”, he’s in what? He ain’t never in his life produced shit. Investment bankers, stock brokers, insurance man, it’s motherfuckers who don’t do nothing. We see that this whole society man exists and rests upon workers and that this whole motherfucking society controlled by this ruling clique is parasitic, vulturistic, cannibalistic and is sucking and destroying man the lives of motherfucking workers and we have to stop it because it’s evil.”
“[…] If Snowpiercer had merely told the tale of an oppressed working class rising up to seize power from an evil overlord, it would already have been an improvement over most of the political messages in mainstream cinema. There are all sorts of nice touches in its portrayal of a declining capitalism that can maintain its ideological legitimacy even when it literally has no more bullets in its guns.

But the story Bong tells goes beyond that. It’s about the limitations of a revolution which merely takes over the existing social machinery rather than attempting to transcend it. And it’s all the more effective because the heart of that critique comes as a late surprise, from a character we might not expect.

[…] All too often, explicitly political art fails as both art and politics. Socialists shouldn’t put up with half-assed imitations of popular genres, nor with political messages denuded of anything but the lowest common denominator.

What makes Snowpiercer satisfying is that it commits neither error. It’s an engrossing and stylish movie, and its underlying themes go beyond merely pointing out class exploitation to challenge the logic of capital. It’s a movie that should be seen as widely as possible, if only so that Bong Joon-ho gets more chances to make movies for English-speaking audiences that badly need them.”

If I were to start collecting vinyls, the first 10 would be

  • Actions for a Free Jazz Orchestra
  • On the Corner
  • Madvillainy
  • Betty Davis
  • Pastel Blues
  • Tijuana Moods
  • Exile on Main Street
  • What’s Going On
  • Rhythm Nation 1814
  • The Cherry Thing